1,064 Royalty-Free Audio Tracks for "Three Tones"

00:00
00:07
Leading-tone seventh chord often serves a dominant function. This example is from Mozart's K. 283 III, mm. 64-69.
Author: Untitled
00:00
02:00
Three partsfirst part 11 tones and 4ssecond part 4 tones and 3s (a little unstable sequence. . . )third part 8 tones and 12s. Question. Do i need a modular synth for making meanless things as this. . . Well, yes and no. The parts are related in different ways and theunstableness is nice. Or?all three sequences are made in different ways.
Author: Gis Sweden
00:00
00:11
Tone generated on a landline phone when phone line is active and ready for use. Created from scratch using signal generators.
Author: Anthonyramirez
00:00
02:58
Put my zoom h2n inside the oven and closed it for this.
Author: Danilosfx
00:00
10:53
I've put my zoom h2n inside an old pizza oven and closed it for this.
Author: Danilosfx
00:00
01:04
Beispiel einer Shepard-Tonfolge; Scheinbar unendlich tiefer werdender Ton Example for a Shepard tone
Author: wdwd
00:00
00:21
All harmonics from 16 to 32 as a tone cluster, primarily of seconds, then arpeggiated.
Author: Hyacinth
00:00
00:14
Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.
Author: Untitled
00:00
00:53
Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).
Author: Jimmy Cox
00:00
00:06
Diminished triad on B, as MIDI
Author: Hyacinth (talk)
00:00
00:10
Whole tone scale on B. Created by Hyacinth (talk) 01:01, 6 July 2010 using Sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
00:11
Secondary leading-tone chord from Purcell's Z. 669, III, mm. 9-13.
Author: Hyacinth
00:00
00:29
Middle distance, outdoorsclose distance outdoors. Recorded on zoom h1 recorder.
Author: Gpanskanechvatalova Jana
00:00
00:43
*un-used asset from project*. There are 4 of the same "sample" at different pitches are "random" granular position and spacing so each one is a little different besides pitch.
Author: Tkky
00:00
00:08
Spoken countdown sequence with the words "five four three two one fire" recorded and edited in audacity.
Author: Oddworld
00:00
00:25
Three separate beats i made. The last one is the first two merged. Enjoy :)made on soundtrap. First drum processed: muffledsecond drum processed: stoke it out.
Author: Dearydanmusic
00:00
00:10
Generated in audacity, this sine tone has an elevated pitch with lowered gain to emulate a generic censorship tone you would hear on public television. The tone is suitable for use in any field, most notably in video games, films or animations. Whether it's comical, functional or both, this tone is a viable resource for censorship detail.
Author: Deleted User
00:00
00:09
Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.
Author: Hyacinth
00:00
00:19
Schoenberg - Variations for Orchestra op. 31 tone row.
Author: . The original uploader was Hyacinth at English Wikipedia.
00:00
00:11
Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.
Author: Hyacinth
00:00
00:35
Mirror forms, P, R, I, and RI, of a tone row (from Schoenberg's Variations for Orchestra op. 31): "Called mirror forms because...they are identical."
Author: . The original uploader was Hyacinth at English Wikipedia.
00:00
00:15
Webern's Concerto Op. 24 tone row, composed of four trichords: P RI R I.
Author: . The original uploader was Hyacinth at English Wikipedia.
00:00
00:19
Tone row for Milton Babbitt's Composition for Four Instruments.
Author: Hyacinth
00:00
00:27
Schoenberg - Piano Piece op.33a tone row.
Author: . The original uploader was Hyacinth at English Wikipedia.
00:00
00:07
Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.
Author: Hyacinth at English Wikipedia
00:00
00:10
A c major note being played reversed using fl keys in fl studio, softened. Recorded and processed in audacity.
Author: Rvgerxini
00:00
00:10
Two problems, as a matter of fact. Add me and you've got three. I have learned to keep my toes back when he's got a hammer and he's under the car. He has to learn not to turn his back when he's not yet, um, dressed. This may be a weakness of mine. I don't make idle threats, either. That just isn't me. . .
Author: Nuncaconoci
00:00
00:20
Sound originally recorded by enjoypa. Edited to exactly 60bpm.
Author: Carmelious
00:00
00:10
Variations on thirsk's "cello loop" , with three parts and reverb.
Author: Smacks
00:00
00:06
Leading-tone seventh chord in C major.
Author: Created by Hyacinth (talk) 02:53, 23 May 2010 using Sibelius 5.
00:00
00:07
Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.
Author: Hyacinth
00:00
00:18
Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.
Author: Untitled
00:00
00:08
Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.
Author: Untitled
00:00
00:09
Double harmonic scale with quarter tones. Created by Hyacinth (talk) 07:11, 10 March 2010 using Sibelius 5. MIDI pitch bend appears to match intervals.
Author: Hyacinth at en.wikipedia
00:00
00:12
Here are the sounds i recorded:- the "loose parts" sounds were a slightly unscrewed valve on a trumpet. - the hydraulic leg-lifting noise was a hatch door opening on a van. - the metal foot hitting the ground was me banging on a metal garage door. - the humming engine noise (it's quiet) was a roll of duct tape spun on a wooden board. - the various other clanks and pops were the same trumpet noises, just edited a bunch. One day while playing the mobile game crossy road, i my sound being used for one of the characters. If you end up using my sound, let me know! i'd love to know what kind of things it's being used in. This is called "three-legged robot walker with loose parts" because it was a foley assignment for my sound design course years ago. This was one of the obscure things the professor gave the class that we had to interoperate and create using only our own recorded/edited foley effects. The class voted on the best one, and mine turned out to be the winner.
Author: Agmoneytrigga
00:00
00:04
Just a few numbers counted from a vocaloid voice pack set.
Author: Isitlocal
00:00
00:05
A really deep beep tone i made because i felt like it.
Author: Doty
00:00
00:04
Iphone-style call disconnect. Tone in 425 hz with 0. 2 delay.
Author: Jonastisell
00:00
00:11
English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.
Author: Frédéric Chopin
00:00
00:08
Demonstration of the melodic minor second's place in a cadence. Created by the uploader.
Author: Hyacinth
00:00
00:01
Vst: vacs free synthesizer.
Author: Beatarchive
00:00
00:09
Simply flageoleto tone e played on martin d1.
Author: Sandib
00:00
00:31
A 1000hz -18dbfs 30 second line up toneus.
Author: Jarredgibb
00:00
00:02
Sinewave.
Author: Ojirio
00:00
00:31
12hz bass tone.
Author: Titan Sounds
00:00
00:10
8-tone equal tempered scale, composed of three-quarter tones. MIDI pitch bend matches intervals.
Author: Hyacinth
00:00
00:03
Female counting from 1 to 4, cut from a file downloaded from mp3bear. #counting #vocal #female #woman.
Author: Waveplaysfx
201 - 250 of 1,064 Next page
/ 22